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Hollow Night / More Sad Ghost Music

by C. L. Stone

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Roo Carlton Heston really is the preeminent gothic-Americana figure, and this is more evidence of it. These songs transport you to a colonial-era village where its residents sing folk songs to briefly assuage their
creeping paranoia over demons and hellfire. You don't really hear things like this. Favorite track: Dreaming of an Ocean.
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1.
They were dreaming of an ocean. Its black waves washed a rocky shore, stretching for miles, seen from any window on the east side of the 13th floor. Cast among rocks and fluttering minnows, a gaze cast backwards to the coast out of twin eyes reflecting in the dizzy light, spinning through the cold and lashing foam. It lived in a world of icy wonder, of structures laid beneath the tide, of wundruss things, flashing in the broken beams of the sea queen's gleaming eye. Yes, here divided moonlight empires where nary a sun beam should appear, and in the day all that's glorious fades away 'til dreams reclaim what's never here. The siren swims through mist and mirrors, and someone turns towards the sea. Ambitious emptyness calling from the drowning depths, a song which rings out in the lies of sleep.
2.
Sometimes they don't see you when you're coming, others they may know, but they don't care. I hear you like the loudest river running, I see you, though they may say you aren't there. Shut the lights, and whisper quiet a last exhaustive sigh, down upon the frozen shapes that lie. Move across the darkness like a hurricane of light scattering the little things you find. Wreckage that lies wayside in the morning is just pieces of what's yet to come. Gone will be the faces and their carving, leave only the embrace for which they've yearned. Shut the lights, and whisper quiet a last exhaustive sigh, down upon the frozen shapes that lie. Move across the darkness like a hurricane of light scattering the little things you find.
3.
Once one of those other ones looked up to the sky, a litany list of questions was inscripted on the mind. "To whom and which and where, for what utility am I?" an eternity of answers flooded back to where you lie: "In darkness, you can die, In darkness, there's nothing there to keep your eyes focused on their cut and fed on statues carved up by this light" which eagerly are waiting on a cat's eye marble stair, there's just enough to see the steps, with less they'd disappear and retract back into the cataracts' blackness, pitch abyss which sinks beneath the tears, they wash away. No one's counting years, all the time, once counted, falls away out on a distant tide, fading to the edges of my eye. Anyway, the answer came, and they were satisfied. Any word about it is a waste of time in darkness and false light. Where it casts its shadows, it is better to be blind. In pursuit of unseen truth, the only use for one is just to die.
4.
Downstairs, Gini's rustling through the cupboard. Listen very closely: cans are falling over, little knobs are turning, screws are twisting outward, gears in Gini's brain are rolling like a locomotive careening over railing nearly broken, steamhammer driver comes storming into morning shining so bright that the stars can be seen anywhere there's light provided that you wear sunglasses, shading out the other sights along the path of Gin's creation, raging imagination's sunrise beating out the avian sounds, who lament the yellow sign and draw back for a choral spire, raising skinless tower's spine, or falling to the dull creation, like the heaven's fishing line, ensnared horizon draws back pages from the book of time and leaves the cupboard trashed again - another empty night. Downstairs, Gini's rustling through the cupboard. Listen very closely: cans are falling over, little knobs are turning, screws are twisting outward, gears in Gini's brain are rolling like a locomotive.
5.
The Weak One 02:46
I know it's kitsch; my only wish is to be out of time. I am not alone in this, there are many so inclined, washed like cysts in rivers, twisted courses of their lives, smooth in all directions, current passes them behind where their deeds have been designed and every judgment that would pass is justified even if at first it was mistaken, or a lie, eventually, all prejudice is, through action realized: man is born as evil as he dies.
6.

about

Six new folk songs for solo guitar by C. L. Stone.

credits

released June 7, 2023

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Carlton Heston Atlanta, Georgia

If you're reading this - Gods of the Dead is the good one. Listen to that first if you're going to listen to anything on here. It's actually pretty solid.

Atlanta Monsters' Ball is also nice.

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