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Columbia Presents: Greatest Hits

by Carlton Heston of Atlanta Monsters Fame

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1.
D.R.E.A.M. 01:27
Death Rules Everything Around Me, I look upon life with despair. My own consciousness is an avatar for something that's not there. An emptiness with the weight of the eternal, more real than the flesh infection convinced that it is living, a beauty beyond beauty runs pulsating through the cities so much farther than the living eye could ever stand to see. Nothing is a concept from which nothing can escape, and only nothing in its absence can evade the reaper's rape: hard and faster than the light can show, but annihilation is beyond the blow. A lasting recollection of unending, skull shattering pain. Is this the way it feels? Isn't matter strange? Death rules everything around me. Death rules everything around me and I dream of lying in its court forever unseen, in love and hate beyond all sense in dissolute form and timeless tense in a kingdom of sadness immemorial to time, in a sweeping dark vastness imperceptibly wide stretching underneath the waters of a captive mind, torn shattered, and rebuilt in a cold design: Death rules everything around me.
2.
There was nothing there to fade the shame, no shade in which to hide. The room had overflowed with probing light and eagerly it twisted through the wind of death which came and blew the masthead of the lifeboat out of sight. For days and days and months of haze, it had sent rising backwards waves whose peaks of silver broke the blackened skies and underneath those resonating pulses of the great depths waiting, everything was such a waste of time. The room hung with the smoking air of a fire not yet come and fault lines reached to cranial peaks to greet the creeping sun. From an open fifth floor window directing to the sixth came miles of dead-end rivers ready to pounce into the mist! There was nothing there to fade the shame, no shade in which to hide while watching days evaporate, the future's so clear and bright that it casts such long shadows over the desert of delight, they congregate in corners every night.
3.
Lost in rolling fields spread vast before their time, winding back from their destruction Still while the twilight trickles 'cross the curving hills, shining from the uncreation. Wander my love, searching through the evening hours. The grass feels it still and emanates it all around you. Open your heart and spread among nocturnal flowers streaming 'cross the inside of the sky. Gone beneath the waves of earth you disappear washing through your dream creation Still while the night comes madly and its chill tears away the day's deception. Open your heart and spread among nocturnal flowers ancient and still emanating all around you. Move through my love, searching through the evening hours screaming 'cross the inside of the sky. Wander my love, searching through the evening hours. The grass feels it still and emanates it all around you. Open your heart and spread among nocturnal flowers streaming 'cross the inside of the sky.
4.
You can always tell a haylow girl by the wild look in her eyes. Feeding on the frenzy at the mouth of a priest, feeling naked in the cold black night. People that defamed her, now they're calling her name but they never see her melting in the sad sunlight of a ball that's false but when the night falls rabid dogs come drooling, gnawing at the lie. Sifting through the maelstrom at the center of her face She peels back on waves of soul As the pieces fall in place. On action! And there she goes again, finally in heaven but still blowing in the wind. They set her stone in willow's shame but she won't know or care. As they decay, her sickness lives in tumored urban air. Hiding in the backways, bones breaking in the dark. If they haven't caught up with what's been done, they were always falling far. Those ancient days she synthesizes, thunderclouds burst out of her eyes. Darkness falls in the forest, but no one sees or hears at all. Distraction! And there she goes again. Dreamy things don't ever last somewhere in the wind.
5.
6.
Well youth is wasted on the young when I think back to the shit I've done, all for naught and not for fun well I would have been better off killing someone, oh yeah. Now on the tip of my dick I've got a bowie knife I don't care if I cut myself as long as I take your fucking life oh yeah, uh huh. Now are you ready? Fuck 'em to death. Are you ready? Fuck 'em to death. Are you ready? Oh yeah Now I cannot feel and I do not care if one more guy calls me "buddy" he's gonna die right there, oh yeah uh huh oh yeah Now I'm not young and I ain't that dumb, but one thing I know: if I live another day I'm going to die broke. Oh yeah. Now now now are you ready? Fuck 'em to death. Are you ready? Fuck 'em to death. Are you ready? Oh yeah Fuck 'em to deeeeeeeeeeeath. Welcome to death.
7.
Well I want you every day. Well I need you, you go away. Don't stray. Don't go. Please stay Oh, oh... where it's lonely and quiet, too, as the night falls, and so do you., boards strain, winds moan between the walls, between the oaks. I can't always please you. I can't always please you. I can't ever be you, but you can be me, though. You can be me so let me tell you how: just look into my eyes and see yours as well, and then into your eyes where I still dwell. I am within you. Let go of yourself. Boards strain, winds moan between the walls, between the oaks.
8.
In the sweltering summer 1963 In the twentieth century In Mississippi under the heat by a tree. Strangler, strangler kept striking down! A ragged form not quite in the shape of a man stumbling curious through the hot day tried to strangle itself, and long did he hang but he could never find death. Isn't that strange? Isn't it strange? Isn't it Strangler, strangler "Why won't it work?" So he started testing the necks of any woman he'd find. When he ran out of women, boys were just fine. A weird looking figure as he shambles along, but if you ever see him you won't have to look long at the Strangler, strangler. Strangler, strangler. You're gonna die!
9.
Huntsman 02:23
Deep in a woods made out of brick and mortar and concrete and steel and earth and wood I went door to door with nobody behind them with eyes made out of glass in the place where I was born... where webs made out of words to catch the flies who listen, screaming "Help me! Help me! Help me!" as their insides turn to sludge. But you and I are deaf now, too much to get caught in them. They glisten there like magic corpses floating in the sky. There's a lot to see here when you close your eyes and ignore what's right in front of you and your organs liquefy and you can just ease into me, you'll find that it is easy while insects caress your neck and lull you into sleep.
10.
The lyrics are sappy - who cares? You can make 'em out, they're pretty audible on this one.
11.
12.
Come all you people, come gather around him there is someone I'd like you to know, with us still: The Adam Friedland Show. The Adam Friedland show us the meaning of loneliness your brethren rehearse until dawn, alone stands the larva to host his own show, he cannot rely on his brawn and he's small and he's weak and he's sickly, pathetic, indeed, to the eye, but deep down within this disgusting exterior there once lurked a beautiful mind. He likes guys. The Adam Friedland Show, the Adam Friedland Show us the meaning...

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Columbia Presents: The Greatest Hits of Carlton Heston all in one package! Includes cuts from almost all albums featured on this platform as well as from Boos For Beezus and extra-album singles, as well as an MP4 of the acclaimed (by Plasma one time when it existed) "Man From Orleans" video!

Get it while it's hot!

Features 5 bonus tracks with download.

Org. release October 02, 2022

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released November 1, 2022

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Carlton Heston Atlanta, Georgia

If you're reading this - Gods of the Dead is the good one. Listen to that first if you're going to listen to anything on here. It's actually pretty solid.

Atlanta Monsters' Ball is also nice.

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