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Alive By Some Hideous Strength

by Carl Haz Tuna

/
1.
Banging on the word I walked today, a hop, skip, and a jump from the place I stay where the floor caves in and the ceilings all rot, down glistening, shining ways I walk to where the mists are clearing and the pavement loses light at night... long night. At the midnight hour in congregated gloom something like a long lost friend reaches now for you. Dead in form better, living on the way to a side road kick of indeterminate shape and a gray everlasting blind color out of space sits hidden under time in a clockwork haze. Dead in form I feel you. You've got the past that you wanted to do, but you sit in heat and roll it - it's something takes your soul in to where the clouds are shifting and the air is anxious lies tonight - long night where the screw is turning aligned in blighted bricks so another thin man goes reeling down the thick filled with lies. if you want to see the truth, it's hidden behind your disguise in a circle of trees further deep in the woods where the powerlines cease and the canyons surge. All energy passes between myriad points and the vectors of disease carve intself into their joints in a choking gray mass of the suffering kind obscuring through the violence how you suffer - but why? You don't need a mind. Don't need a brain, it's robbing you blind. How vicious has your body been to satisfy its needs and when you look behind you others follow, gathering with greed, hungering and holed in masses of teeth on the impulses they grind, building higher than they see for a tower of shit, ever convoluted dream. Manifest a prayer of quarters, feed it back into the Beast. Ask no question, get no liar for the tempest winds of a gathering crime. Beneath the feet of an old church spire all the little clocks unwind. No need left to dress in white, nor to ride the wave to another harbor. Taking out the host of time. Turn a tired dream and a yearning on fire. (and a yearning on fire and a yearning on fire)
2.
We go dancing most every night, go romancing 'til daylight and we sing along with the band as it plays its song in gloryland. Dancing with you gave us something to do I thought it was true for a while. Dancing with you and your moccasin shoe, but I still haven't walked a mile in your shoes. We go dancing, and for a while it's entrancing me like a child. On we go to the dawn when the stranded rays of the sun beat down again. Watching you whisp, twirling over the cliffs with an eager moon gazing its light. Dancing with you through the starlight and dew, but I still haven't walked a mile in your eyes. Bells of evening and summer wine rosey clearings towards we wind and we sing as we spin through a darkness that never ends in glorylines. Drawing the night towards the galloping heights on the steps of a dizzying dream. Dancing with you through the courts of the moon, through the halls of a vanishing mile of your sleep.
3.
Don't go down in the basement you won't like the things you see. Alli-guy-tors and great big spiders, this building seems to be diseased. Where the path has been forgotten, its pavement eaten from within you won't find it wound back behind it. Here the steps lap at your shins. Don't go down in the baaaaaaaaaasement whose stairwell gathers you beneath where dingy meadows give way to shadow and a cold spring seeds the air you breathe.
4.
The Comet 02:26
A dark shadow has fallen across the land. A dangerous omen has taken the minds of men. You've got to go back, you've got to go back, and you've got to go back you've got to go back 'cuz the comet! 'Cuz the comet! Where you were going, you're never getting there. No time left to run - it is coming faster! You've got to go back, you've got to go back, and you've got to go back you've got to go back 'cuz the comet! 'Cuz the comet! 'Cuz the comet! 'Cuz the comet!
5.
Contact 03:54
If they need you they will call you through the writing on the wall never waiting, always something and then it never lasts that long hanging in the silent years, waiting now to fall where shadows climb laughing in the lonely woods beneath a wild song which longs to die If they want you they can reach you through the path you've left behind ride your nightmares back towards where mind and body left behind if they need you now and they call you now ready all your senses for the flight Hanging behind overgrowths where eager owls call and shadows climb If they need you some will get through ride the ocean of your sighs fallen faces look back at you and then fall backwards into light.
6.
7.
Then One Day 05:18
In lonesome days I sat and hummed it to myself: "40 watts, 9 volts," electrocuted nuts and bolts. Not telling, not falt'ring, lips guard my veiled faith and a silent song carried through those days... and when a bell rings and crowds move point to point and the light I'm under is so old when it flickers, between its wearied shines, in concrete cornerhills I roam. Then one day, standing on another hill I got your name in a blur, and it is still not telling, not falt'ring, lips guard my veiled faith and a silent song (from a passerby) hangs there and decays like all those days fall between the night's eye and the gray, you'll never have it for your own. You don't wait where others walk in all these days, but in dead halls you'll find a home.
8.
You and I two points aligned which never meet... converging ways in spite of things they say and the passing days drain me slowly, surely waste our fucking time. I'm sick of all the bullshit, same old worn out lies. You don't have to do it with me, but I'm going now to die and it's ok, it's not scary. Yes, it's better and I'm glad and I don't need any pills. It is better to be dead. This is the truth. And I don't care what's polite. I 🦞 die. I 🦞 die. I 🦞 die. I 🦞 die. I 🦞 die. I 🦞 die. I 🦞 die. I 🦞 die.
9.
Cuzzfunt 08:33
Flowers are wilted now you're gone I'm here jilted on the church house lawn. I was a fool, I was a fool. It makes no difference now. Tidings of violence and I've got to leave, don't even remember what I came here to grieve and anyway, it makes no difference now. I've been touched by the fingers of night, down a stairwell of moonbeams to a catacombs' light, something insidious, by a hideous strength I'm alive. Out of its endless power, by the sleeping sea. Long to be there, floating free. Into the gloom of the midnight mist, my stilted love won't even long for a kiss. I was a fool, I was cruel. It makes no difference now. Tidings of violence and I've got to leave, don't even remember what I came here to grieve and anyway, it makes no difference now. I've been touched by the fingers of night, down a stairwell of moonbeams to a catacombs' light, something insidious, by a hideous strength I'm alive. Out of its endless power, by the sleeping sea. Long to be there, floating free. Windows are glossed with a layer of pain, and in the thickening frost I can't remember your name. The gray way that winds beneath a million signs points to hate. Tidings of violence and I've got to leave, don't even remember what I came here to grieve and anyway, it makes no difference now. I've been touched by the fingers of night, down a stairwell of moonbeams to a catacombs' light, something insidious, by a hideous strength I'm alive. Out of its endless power, by the sleeping sea. Long to be there, floating free. Flowers are wilted now you're gone I'm here jilted on the church house lawn. I was a fool, I was a fool. It makes no difference now. Tidings of violence and I've got to leave, don't even remember what I came here to grieve and anyway, it makes no difference now. I've been touched by the fingers of night, down a stairwell of moonbeams to a catacombs' light, something insidious -

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The latest offering from Carl Haz Tuna of Atlantic Monstruwacan Fame!

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released December 21, 2022

Red cover of this one's by robots.

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Carlton Heston Atlanta, Georgia

If you're reading this - Gods of the Dead is the good one. Listen to that first if you're going to listen to anything on here. It's actually pretty solid.

Atlanta Monsters' Ball is also nice.

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